This book presents a study of the ways in which concepts of pain were treated across a broad range of late Victorian writing, placing literary texts alongside sermons, medical textbooks and the campaigning leaflets.

Finally, the book argues against a conventional sense of the plays' movement towards divinely sanctioned closure; mischief, irony, polysemy remain; romance's political problems are competitive, multiple, and tumescently unpredictable.

This book also examines the ways in which Chinese linguistic features provide Moore with models for her compound nouns and syntactical ellipses, and gathers evidence to show that her abiding concerns for precision, brevity and restraint ...